We immediately headed down to the basement crypt, as that’s where the lavatories were (leading me to coin the euphemism for the week: “gotta go to the crypt”). The crypt also features the delightfully named Crypt Cafe, and, more seriously, monuments to more than 300 British military heroes, including Wellington (who was able to develop Beef Wellington before the French could perfect the Napoleon—see Love and Death) and Horatio Nelson. And, needless to say, Christopher Wren’s memorial is down there, as well it should be.
We then headed up many many stairs to the Whispering Gallery, a circular walkway around the base of one of the cathedral domes. It is so-called because it is said that if you whisper to the wall, the sound will carry clear across to the opposite side. I was dubious, and with luck some of my comments did not carry. Up more steps is the Stone Gallery, a parapet around the outside of the dome that affords a wonderful view of London. Up a further 520 spiral steps (not for the weak of lung) is the Golden Gallery—which provides an even better view. There is one spot on the staircase that has a very low overhang; there is a sign that reads “Mind your head.” I was amused by the sign, stopped to take a picture of it, then smashed my head anyway. Doh!

Anyway, we then grabbed a city bus to Piccadilly Circus (with thoughts of the Jethro Tull song, “Mother Goose”: “And a foreign student said to me/Was it really true/There are elephants and lions, too/In Piccadilly Circus”). There are many “circuses” in London—the name simply comes from the Latin word circus, or “circle,” and refers to any circular open space at a street junction. As for “Piccadilly,” the name dates back to 1626 and comes from Pickadilly Hall, a house belonging to Robert Baker, a tailor famous for selling piccadills, a type of collar.
Anyway, Piccadilly Circus today is festooned with neon billboards and signage and is rather like Times Square, though still not yet Disney-fied. One notable point of interest is the Shaftesbury Monument Memorial Fountain, built in 1892-1893 to commemorate Victorian politician and philanthropist Lord Shaftesbury. The fountain is topped by Alfred Gilbert's statue, variously called “The Angel of Christian Charity” or, more popularly (though erroneously), "Eros" (after the Greek God of Love). Actually, the statue was supposed to represent Eros' twin Anteros (everyone gets twins confused...). The statue was the first in the world to be cast in aluminum (or, in Britain, “aluminium”) and is nude, which caused a bit of a stir at the time of its erection, but the public quickly warmed to it, apparently.

By this time, it was getting on 5:00 and Steven had to pick up his car (which was in for inspection) before the car place closed at half five, so we cut short our perambulations for the day. I decided not to take photographs of the VW dealership.
And thus ends Monday. To be continued...
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