- Mass Medea--Part 1, Part 2, Part 3, Part 4, and Part 5 of a feature length screenplay about the staff of a technology magazine in the late 1990s Internet boom.
- The Moistville Trilogy--Three very silly stories--"A Conspiracy of Prawns," "The Amphibian Brief" (Part 1 and Part 2), and "A Troubling of Goldfish" (Part 1, Part 2, and Part 3)--about evil hijinks and/or seafood set in the upstate New York town of Moistville.
- Jewel Box--Chapter 1 and Chapter 2 of a vaguely Tolkein-esque (but not really) novel-in-progress.
- Living Ghost--Chapter 1, Chapter 2, Chapter 3, and Chapter 4 of a Philip K. Dick-esque novel-in-progress about an L.A. market reserahc analyst who has odd, preternatural forces acting upon him...
- "Postcards from the Gnome"--A short story about a mobile gnome.
- "That Snow Joke"--A short story about why you should always shovel your sidewalk.
- "Baggage Claim"--A short story about an airport encounter.
- "The Life of Death"--Part 1, Part 2, and Part 3 of a long-ish short story about what happens when Death is killed...or whatever.
- "Don Boing: Beneath the Music"--profile of the musician who was a legend in his own lunchtime
- "Bossy"--a short story about a talking cow
Friday, January 25, 2008
The Stories So Far
For those keeping track of these things (like me):
The End of Goldfish
Here is the heart-pounding, stomach-churning, algae-eating conclusion to "A Troubling of Goldfish." Remember that Adobe Photoshop was still fairly new when this was written....
Back at headquarters, they were met by Schlickelmeinengrubenbieder, who was still in the lab.
“Adolph, I need a sketch artist.”
“Look no further.”
“You? What happened to Jenkins?” Santos asked.
“He was sent back to do courtroom renderings. Remember? The cubism?”
“Oh, right. Okay, Adolph. Get your sketch pad. I’ve got a picture I need you to alter.”
“What sketch pad?” asked Schlickelmeinengrubenbieder. “I’ve got a Mac and image-processing software. Screw the sketch pad.”
“Okay. Let’s try it.”
Schlickelmeinengrubenbieder led them into his office where had a Macintosh computer secreted. He booted it up, and opened the proper program. Santos handed him the diskette. Schlickelmeinengrubenbieder inserted it, and accessed the file.
As Santos watched, he said, “We’ve got one of these?”
“Yes. It’s quite a remarkable program, Bernard. I can take any photograph that has been digitized, bring it into this program, and make a variety of changes to it.”
“When did I approve this system?”
“When you got back together with Miriam last year. You were quite agreeable. We took you for a lot of stuff.”
Jordan added, “And when you broke up with Miriam again, you made us get rid of the Belgian waffle maker.”
“Oh, now I remember. Okay, see that photo there, Mason Arthur? We need to age him a bit. Put some lines around the eyes and mouth. . . . Good. Now, thin the hair at the temples and gray it a bit. . . . Perfect. Now, add a jet black toupee on top. . . . Excellent.” He stared at the manipulated image. “Yes, I’m positive that that is now Arthur Mason. That’s a pretty useful program, by the way.”
“Mm. I can do anything to him you want. Like this, for example . . . .”
Santos watched. “No, he doesn’t have a moustache.”
“Okay, scratch that. How about this . . . .”
“No, he doesn’t have Isaac Asimov sideburns either.”
“How about this . . . .”
“No, I’ve never seen him wear a bunny suit.”
“This . . .?”
“No, I’m positive that he doesn’t have a third eye.”
“Okay, how about—”
“Would you stop!”
“What do we do next, Captain?” asked Jordan.
“What time is it?”
“4:05 am.”
“Okay. Since we already have one goldfish specimen, we should destroy all the others. Jordan, we’re going down to Arthur’s Aquarium.”
“Captain, if they’re the undead, how do we kill them?”
“Remember your horror movies, Lieutenant. A wooden stake through the heart.”
“Right, of course.”
“Since fish are small, we don’t need a big stake. We can pick up a box of toothpicks on the way there. That should do it. Let’s go.” He moved toward the door.
“Captain, where exactly is a fish’s heart anyway?”
Santos stopped. “Good question. Adolph?”
“Behind the mouth, just below the gills.”
“Ah.”
Heart, indeed.***They pulled into the parking lot of Arthur’s Aquarium. As they expected, it was completely dark, except for a kind of ethereal glow emanating from one of the side windows.
“Probably a night light,” said Jordan.
“Lieutenant, I scarcely think that the Prince of Evil needs a Donald Duck night light.”
“You never know.”
“Mm.”
They got out of the car and walked up to the door. Santos expertly picked the lock and they went inside.
“Captain, pardon my asking, but how Constitutional is this?”
“Lieutenant, we’re dealing with Satan’s Spawn here. I think we need to go through other channels than those explicitly provided for in the Constitution. And I for one would not really want to be in a room with twelve of his peers.”
“Well, you know the ACLU, Captain,” said Jordan. “Captain, if Arthur flees, would we be able to extradite him from Hell?”
“Shh.”
They walked across the store until they came to the goldfish tank. The fish were swimming about unconcerned. Of the thirty that were in the tank earlier in the day, twenty-five seemed to be left.
“Well, he certainly is taking his time, isn’t he?” said Santos.
“How are we going to do this?” asked Jordan.
Santos stood back and considered. “Let’s flip the tank over. We’ll be better able to drive in the toothpicks if they’re on the floor rather than in the tank.” He walked over to one side of the tank. “Grab that other side. On ‘three,’ heave it over.” Jordan got into position. “Okay . . . three!”
They pushed, and the tank went over on its side with a loud crash, as the glass shattered and the water, gravel, and fish splashed across the room. Santos had not anticipated that the water would carry the fish to inaccessible parts of the store. The fish began flopping about wetly on the tile floor.
“Damn. Okay,” he reached into his pocket and pulled out a box of toothpicks. He gave a handful to Jordan. “Start sticking them. Remember, behind the mouth, just beneath the gills.”
He and Jordan began driving the toothpicks into the hearts of the goldfish. There was an audible sound whenever the pick was driven home properly, like steam escaping, or like Santos’s Uncle Mort after having been to the buffet table. After about two minutes, they stood up. Santos did a quick body count.
“We got twenty-one out of twenty-five. Let’s find the other four.”
Jordan found one wedged under the front desk, and promptly skewered it. Santos found one buried under a pile of gravel, and he promptly skewered it. One had actually slid under the front door. Jordan opened it, saw the fish on the welcome mat, and, again, promptly skewered it. He looked around for more. Santos was also searching for the last one.
“We got three, Lieutenant. Where did the last one go?”
He spied it, working its way in a thick puddle that flowed toward the pentagonal tank. As it turned out, the pentagonal tank was also the source of the ethereal emanation of light. As Santos charged after the fleeing fish, the light became more intense. The water inside the tank began bubbling and becoming cloudy. Santos watched. Inside the murk, he could barely make out some kind of form, which looked like an octopus.
“Captain, is that an octopus?” Jordan asked, also spellbound by the mysteriously churning water in the tank.
“It appears to be, yes.” He looked down and once again noticed the last surviving fish making for the tank. He ran over to it, toothpick in hand.
A tentacle shot out of the tank and grabbed Santos by the throat. “Lfgfgieufgfftengfgant . . .”
“Um, sir? About that ‘no gun’ policy. . . .“ He ran over and tried to pull the tentacle from around Santos’s throat. Instead, another tentacle shot out and grabbed Jordan by the throat. Once secured firmly around their respective throats, the tentacles did not tighten; the cephalopod in the tank seemed content to just hold them still for a while.
“Lieutenant, what do you make of his?”
“Well, octopi are supposed to be remarkably intelligent creatures, sir. They’re also not supposed to be particularly lethal.”
A deep, guttural chuckling sound bubbled up from the depths of the tank.
“Lieutenant, did you have cabbage for dinner or was that the octopus? Mind you, I’m not quite which I would find more disturbing. . . .”
The chuckling again.
“No, captain, I’m afraid that was the octopus.”
A third tentacle reached out of the tank and arced down toward the goldfish. It settled next to it, and the fish hopped up onto it. The tentacle lifted gently back into the tank, taking the goldfish with it. The bubbling in the tank settled down a bit. The chuckling, however, did not.
“I think we just witnessed a rescue,” said Santos.
“Do not screw with the Master,” said a deep, resonant voice from within the tank.
Santos and Jordan looked at each other. “Lieutenant, was that James Earl Jones or the octopus? Again, I’m not sure which I would find more disturbing.”
“Oh, I am.”
The tentacles then tossed Santos and Jordan across the room, where they crashed to the floor.
“Ah!” screamed Jordan. “I landed on a toothpick.”
The bubbling in the tank tapered off, the murk cleared, and the light dimmed and faded out. There was now nothing but water in the tank.
Santos slowly climbed to his feet. He helped Jordan up, and they both stared at the tank.
“So that was the Master,” said Santos. “Or Mr. Master, as Mason put it. I wonder what kind of buying trip he was supposed to be on, anyway.”
“Interesting business partner. What do we do now?”
“I’m not quite sure.”
“Well, I am.” Jordan walked over to the desk, picked up the cash register, and hurled it at the tank.
“Lieutenant! What are you doing?”
The register effectively shattered the glass of the tank, and water and shards of glass fell to the floor. There was a noise, like a loud explosion, which shook the walls and ceiling. A bright light pulsed in mid-air, in what had been the center of the tank. A strong wind blew out from the source of the light, blowing papers off the desk, objects off shelves, tiles from the ceiling. Santos and Jordan were blown back toward the desk, and the remains of the tank—glass and water—began swirling in the air. The tornado made its way toward Santos and Jordan.
“Jordan, behind the desk!” They jumped to comparative safety, and heard the splashing of the water and the tinkling of the shards of glass on the front of the desk. As quickly as the monsoon had begun, it ended, and all was quiet in the store. Santos peeked out from behind the desk, and saw nothing but water and broken glass, plus gravel from the goldfish tank. However, the bodies of the dead fish were gone.
“Captain, what do you suppose that was about?”
“I don’t quite know. It’s possible that the door to whatever netherworld the Master dwells in is located over there and the fishtank was simply created around it. The door may still be there, but perhaps a water-dwelling creature is incapable of using it now.”
“That’s only comforting until you realize how many dangerous creatures don’t live in water. How do we close and lock this door?”
“I don’t know. But I think I know who does.”
“Mason?”
“Right. Let’s head over to the Edgard House.”***“This is the infamous Edgard House?” said Jordan, incredulously, as they walked from where they had parked on NW 15th Street and climbed up Edgard Hill.
Santos looked over at him. “Not what you expected, Lieutenant?”
“I was expecting a big, creepy house, like in Psycho or something. This is a white, split-level tract home, practically identical to most of the other houses built in Moistville in the 1960s. Levitt houses are more distinctive than this is.”
“Terror comes in all shapes, sizes, and architectural designs, Lieutenant.”
They continued the somewhat arduous climb up the Hill toward the house. They crouched behind a shrubbery along the side of the driveway and stared at the front door.
“I’m surprised you’ve never seen the house before, Lieutenant. It’s visible from every bathroom window in town.”
“None of the apartments in my building have bathroom windows. We have a very paranoid coop board. They had them all removed.”
“It’s just as I remember it, Jordan,” said Santos, nearly breathless. The climb had been a tough one, and he was not as young as he used to be. “Although, it’s not as big as I remember.”
“One gets used to that,” said Jordan. “Anyway, what do we do now?”
“We need to get into the house. Lieutenant, remember that act you performed at last summer’s Emu Day Festival, where you were able to emulate the frequency of the signal emitted by a garage-door opener’s remote control?”
“Yes. It was a little trick I learned during my days as a valet parking attendant.”
“Do you think you might be able to open that garage door?”
“I’ll run through a range of frequencies and see what I can do.”
He opened his mouth and held it open. Santos could see the veins in his neck tightening, even though no sound—at least to Santos’s ears—was coming out. The garage door didn’t move, but Santos looked up and saw that the sky was suddenly thick with circling aircraft.
“Uh, Lieutenant . . .”
Suddenly, there was a clicking sound from within the garage, followed by a humming noise. The door started to rise.
Jordan closed his mouth and relaxed. He grimaced.
“What’s wrong, Lieutenant? You did it.”
“A moth flew into my mouth.” He spat it out.
“Come on, let’s hurry.”
They darted from the shrubbery into the open garage. As soon as they were in, the door closed behind them.
“Well, someone knows we’re here,” said Santos.
“Sorry, sir, that was me again. I was just singing a Mariah Carey song.”
“Well, stop.”
They looked around the garage. Nothing out of the ordinary; a workbench covered with screwdrivers, wrenches, hammers, saws, and other tools.
“Hmm. He seems to be quite the handyman. Didn’t Satan have a home renovation show on The Learning Channel?”
“No, Lieutenant, that was Bob Vila.” Santos looked down at the floor. “There’s been a car here recently. I didn’t see one in the driveway. Mason must be out for the evening.”
Jordan bent down and examined a still-wet puddle. “Satan’s car is dripping transmission fluid.” He stood up. “Sir, do you think he’s gone down to the Aquarium?”
“We didn’t pass him on the road, and we took the most direct route here.” Santos said ominously, “It’s possible he’s gone out for the evening to feed.”
“Or he has a date.”
Santos motioned for Jordan to follow him through a door into the rest of the house. They walked down a short hallway until they were in the basement, a basement that Santos remembered from long ago.
“Captain, if Mason is a vampire of some kind, why was he out during the day? Don’t vampires stay indoors until dark? Dracula did.”
“Well, you must remember, Lieutenant, that they didn’t have sun block in Victorian England.”
As Santos looked around the basement, he noticed that the fishtank from all those years ago was still there. The light was on, the filter was working, but it contained only water.
“This tank, Lieutenant. This is the tank that had the early versions of Mason’s evil goldfish, back in 1967.” He and Jordan walked over to it, peering through the glass.
“Version 1.0, you’d say nowadays, Captain,” said a faintly-accented voice behind them.
Santos and Jordan spun around.
“Mason,” said Santos.
“Arthur,” said Jordan.
“You’re both right,” said Mason. “I was Mason Arthur. Now I’m Arthur Mason.”
“Your only mistake—well, one of your mistakes—was to pick such an obvious alias, Mr. Mason,” said Santos.
“I didn’t pick it, Captain. The DMV made a mistake when I renewed my driver’s license. I found that it was simpler to just change my name than have it corrected.”
“Mr. Mason, forgive my bluntness, but it’s late. What’s the deal with the vampire goldfish?”
“Do you like them, Captain? I spent decades perfecting those creatures.”
Santos looked at him. “Well, go on.”
Mason smiled. “That’s right. You’re both going to die, so why not tell you all my secrets? You won’t live to do anything about it. You see, Captain, I saw the future long before anyone else did. In the 1960s I knew the dairy industry would phase out home milk delivery some day. The changing times, I suppose. The innocence of the 1950s, when milkmen could be trusted to deliver milk promptly in the morning, was being replaced by the tumult and turmoil of the 1960s. Milk was out, Captain.”
He looked down at the floor, almost sadly. His head jerked up, and his voice slowly began to increase in pitch. “All I knew was milk. I grew up at Dairy Moist. As a lad from London, I was impressed by the American dairy industry. And I’d seen the reports, I knew what milk could do, how one could grow in twelve ways. But, this power I was born with, this gift . . . enabled me to see the future. No more milk. The industry would be forced to resort to ghastly ads of celebrities with milk mustaches. It was too much for flesh to bear, Captain. I was a milkman, if the industry fell . . . I would fall with it.”
“Jeez, Captain,” said Jordan, “Shatner can’t ham it up like this guy.”
“Shush, Lieutenant.”
Mason continued. “This house has evil in it, I knew that then. This fishtank surrounds the portal to Hell, just like the tank at the Aquarium had. I knew I could use the evil of this house to take revenge on a world that allowed the milkman to fade into extinction.”
“The Master helped you?” Santos asked.
“The Master helped me. I was on vacation in the Caribbean. I met the Master in a bar on Jamaica. I saw this octopus sitting alone at a table sipping a piña colada, and I thought to myself, ‘There was someone special.’ We struck up a conversation, hit it off pretty well. Lacking any type of skeletal structure, he could limbo far better than I could. And yes, Captain, I did accept his invitation to spent the night at his place.”
“What is the source of the Master’s evil power?” asked Santos.
“The Master has no evil power. He’s simply an anthropomorphic octopus. No special power. Well, nothing Satanic at any rate. I, however, do possess evil powers. I was born with them. My mother smoked heavily while she was pregnant with me. Do you think the tobacco companies tell you everything that’s in cigarettes?”
“So why is he called ‘the Master’?”
Mason shrugged. “Simply a pet name, like ‘Pookey,’ ‘Snookums’ or ‘Evil Mound of Filth.’ At any rate, we came back to Moistville, at which point I had had my ‘declining milkman’ vision. I told my analyst about it, and he suggested that I should act on my feelings, so I decided to launch an all out war against humanity. I doubt that that’s what he had in mind, but I interpreted it as such. But first, I needed this house. The portal to Hell was so convenient, it essentially cut my commute in half. I couldn’t afford to buy the house, so I covertly snuck in here at night to begin my goldfish-breeding experiments. Then Edgard House and his miserable pack of children moved in. And you know kids: if there’s a portal to Hell in house, they’ll find it. I knew I had to get rid of them. So, I deliberately used my psychic powers of suggestion to have the old biddy next door mishear House’s request that I not deliver any more cheese. According to plan, House was arrested.”
“And you killed his family,” said Santos.
“I did not, Captain. They are still alive. They went through the portal and are now living in a Cape Cod-style house on the outskirts of Hell. Say what you want about it, Hell has really affordable real estate.”
“That’s true, Captain,” said Jordan. “Probably because it’s so far from the Interstate.”
Mason continued, “And since the house was reputed to be haunted, I was allowed to continue with my goldfish experiments unimpeded. Until . . .”
“Until I thwarted you,” said Santos.
“Yes, that’s right, Captain. Do you know what your esteemed Captain did, Lieutenant? On a ridiculous adolescent dare, he not only spent the night here, he found two of my goldfish and overfed them. You killed my fish, Captain. And to make matters worse, you tried to flush them and ended up flooding the upstairs bathroom. That set me back months. Finally, several months ago, I perfected the very first vampire goldfish. But then the question became, how to get them in the hands of the population of Moistville. I thought, and remembered that this town loves exotic fish. The whole town is fish crazy. I set up the Aquarium—”
“Where did you get the money for that?” asked Santos.
“Contacts, Captain. Did you know that Satan himself is an avid venture capitalist?”
“That doesn’t surprise me.”
“With the link to Hell I had installed at the store I could provide any fish the customer asked for. By imbuing all the exotic fish with psychic powers, I could then control the minds of any person who bought one.”
“Buy why only women?”
“They’re far more organized than men, Captain, and I dare say more reliable. If I’m going to create an army of obedient slaves, I want them to at least be conscientious about it. And with the free vampire goldfish, I could then have all the men turned into mindless, willing zombies.”
“You know, Mason, a swimsuit calendar would have pretty much accomplished the same thing.”
“True, but the evil goldfish seemed more fun.”
“And the point of all this?” asked Santos.
“With a legion of followers, I could take over the world and control all dairy production. The milkman would no longer be doomed to extinction or to a figure of fun, but would be the rulers of the world!”
“And the science fiction plot summaries?”
“To keep track of who had been recruited and who hadn’t, of course. And I’ve always liked science fiction television anyway.”
“There’s one thing I don’t understand,” said Jordan. “If the goldfish were gifts from female acquaintances, why were purchase receipts found in the homes of the victims?”
“Tax reasons.”
“Ah, of course.”
“And the Master’s role in all this?” asked Santos.
“Nothing major. Answering phones, licking envelopes, that sort of thing.” Mason sighed deeply. “There. Now that all that is off my chest, it’s time for you to die.”
He walked over to the fish tank and waved his hands over it. There was a bubbling and churning, and the emanation of a bright light. In the tank appeared two goldfish. Mason reached in with both hands and plucked them out by the tails.
“Now, Captain Santos, Lieutenant Jordan, prepare to join me.”
Santos and Jordan, realizing for perhaps the first time, that they were not tied up, quickly pivoted and attempted to make a break for it. They got about two inches, and were stopped dead in their tracks.
“Oh, poopie,” said Jordan.
Blocking the only exit was a mob of what looked to Santos like nearly every man in town—zombified and holding a large trout.
Santos subtly gestured to a gap in the ranks of Mason’s army. He and Jordan quickly attempted to make a break for it. As they reached the front line, Herb Smeldman swung his large trout by tail at Santos, who caught it on the chin and went flying backwards across the basement. Denver Eggles thwacked Jordan back across the room.
“They appear to have a great deal of strength,” said Santos.
“Well, I’m told that the zombie lifestyle is very invigorating,” said Jordan.
They looked back at the line of the advancing undead. One member of the throng in particular again made them shriek with terror.
“Oh, no!” yelled Jordan.
Pushing his way to the front of the mob was none other than Schlickelmeinengrubenbieder—apparently also the victim of Mason’s goldfish.
Schlickelmeinengrubenbieder led the mob toward Santos and Jordan, who quickly retreated, until they were flat against the wall. Mason, still carrying the two fish, walked over to them.
“Extend your index fingers,” he said, “this won’t hurt a bit.”
“Trust me, Captain,” said Jordan, “it hurts.”
Seeing no possible escape, Santos and Jordan both let out sighs of resignation and extended their fingers. The goldfish opened their mouths as they were brought closer to the waiting fingers—
Suddenly, Schlickelmeinengrubenbieder broke rank and clubbed Mason with his trout, Mason collapsed to the floor, and the two fish plopped on the floor next to him and began to wriggle toward the tank. There was a general confusion and hubbub among the throng, who took a few moments before unanimously deciding to go after Santos and Jordan. Santos saw his chance: he reached in his pocket and withdrew two toothpicks. He lunged in pursuit of the two fleeing fish. The army, apparently much brighter than he had thought, knew what he was about to do, and moved to intercept him. Schlickelmeinengrubenbieder, however, began swinging his trout wildly, knocking Mason’s soldiers to the floor.
“Go, Captain!” yelled Schlickelmeinengrubenbieder.
Santos ran over and quickly drove the toothpicks into the fish. The reassuring popping noises led Santos to believe that they were safe . . . for the moment. Mason regained his feet, and summoning as much psychic energy as he could, reinvigorated his troops, who had no trouble in disarming Schlickelmeinengrubenbieder. One well-placed bonk on the head, and Schlickelmeinengrubenbieder was out cold.
“Nice try, Captain,” said Mason. “Let’s have another go at this then. Grab him!”
Denver Eggles and Melvin Snogg came forward and grabbed each of Santos’s arms. They led him over to the fishtank, where Mason was once again conjuring up more fish from the portal.
With all the attention that was being paid to Santos, no one noticed as Jordan snuck to the rear of the crowd where Schlickelmeinengrubenbieder was lying unconscious. He grabbed Schlickelmeinengrubenbieder’s trout, looked for an opening in the crowd, and found one. He raised the trout above his head, and charged toward Mason.
“This is for Jacques Cousteau!” he yelled, as he brought the trout down across Mason’s back. Mason fell forward into the fish tank just as two goldfish were appearing. Suddenly, more goldfish began appearing, surrounding Mason, and beginning to nibble at his flesh. Swarms and swarms—er, troublings and troublings—of goldfish began appearing, all of them feasting on Mason, who was thrashing around in the water.
“No! What are you doing? I created you! You ungrateful louts!”
In moments, he was reduced to a heap of bones. There was more bubbling, churning, and emanation of light, and the fish and the Mason’s remains were gone, replaced by an octopus—the Master.
“Oh, damn. We’re in for it now,” said Jordan.
“No, my friends, I will not harm you,” said the deep, guttural voice of the Master. “I was opposed to this idea from the beginning, and though I loved Mason dearly, I could not allow him to succeed in his plan. You see, I’m lactose intolerant. Your town has been freed from his icy grip.”
“What about the portals? Can they be closed?” asked Santos.
“Perhaps, but it will take a great deal of time to get the proper work permits. The worst thing about Hell is that the bureaucracy is a nightmare. I’m going back to the Caribbean to mope now. Oh, well. At least I can consume eight drinks at once. I urge you to do the same. Good-bye, Captain Santos, and I apologize for all the trouble this has caused you.”
More bubbling, churning, emanating, and the Master was gone. The fishtank itself disappeared into the portal. One last flash of light, and it was gone. Or at least invisible.
“Well, it’s been a weird day,” said Jordan.
“Mm. This is true.”
“Captain, what time is it?”
“I don’t know. 5:30 maybe?”
“You still don’t know what time it is?”
“No, Jordan, I don’t. Perhaps it wasn’t a force of evil. Maybe I’m just getting forgetful in my old age.” It was at that point at which he turned and noticed the newly-released crowd. “All of you can go home now. Please.”
They confusedly began to file out of the house. After they had gone, one unconscious crowd member stirred.
“Oh, my head,” said Schlickelmeinengrubenbieder.
Santos looked down at him, albeit briefly. “Good work, Adolph. Infiltrating their ranks and posing as the undead was a stroke of genius.”
“What infiltrating? I was out for a walk, saw this parade go by , and thought I’d follow them. It was only when I got here that I knew what the hell was going on.”
“Adolph, I don’t think I want any more peeks into your private life. Please go home. I’ll see you back at the office tomorrow.”
Tomorrow indeed.***“Oh, no, no more dénouements here! Out out out!” yelled Osgood Smelt, as Santos, Jordan, and Schlickelmeinengrubenbieder stood in the lobby of the House of Smelt and waited to be seated.
“No, Mr. Smelt, we’ve had our dénouement already. This is the epilogue, now. We’ve decided to make this place our new hangout.”
“Oh, joy,” said Smelt. “All right. Go sit over there by the fern. I’ll be with you shortly.”
The trio walked over to their table and sat down.
“Well, Captain, the last of the goldfish have been destroyed, and this afternoon I supervised the cordoning off of the two portals to Hell.”
“Excellent, Lieutenant. What did you use?”
“Those velvet ropes they have in banks and movie theaters. No one crosses those.”
“Ah good.” Santos looked at Schlickelmeinengrubenbieder. “You know, Jordan, I don’t believe I ever told you how I got Schlickelmeinengrubenbieder back after the Edgard House incident all those years ago.”
“I don’t think the Lieutenant cares to hear about that,” said Schlickelmeinengrubenbieder.
“Oh, I’m sure he does.”
“What did you do, Captain?”
“Well, three weeks later, the whole Schlickelmeinengrubenbieder family took their yearly vacation in Nuremberg. While they were away, I snuck into the house and redecorated it exactly like the Edgard House. Horizontal striped wallpaper, the potato chip-shaped chairs, the Laugh-In-like shower curtains.”
“And don’t forget the best,” said Schlickelmeinengrubenbieder.
“Right. And directly above Adolph’s bed, a big Donovan poster. It scared the hell out him, let me tell you.”
Santos laughed uproariously. Jordan looked at him expressionlessly.
“Kind of lame, Captain.”
Smelt wandered over and unsmilingly handed each of them a menu.
“You know, Mr. Smelt, I don’t believe I saw you among Arthur Mason’s army of undead followers last night.”
“Should I have been?”
“I don’t know. Didn’t anyone give you a goldfish as a gift recently?”
“Yes, actually someone did.”
“Really? And it didn’t attack you?” asked Jordan.
“Attack me? Why the hell should it attack me?” said Smelt.
“What happened to it?” asked Santos.
“Check today’s Chef’s Specials,” said Smelt.***Meanwhile, in the Basement of the Edgard House, something stirred . . . .
THE END
Thursday, January 24, 2008
More Goldfish
Part two of the return to Moistville, "A Troubling of Goldfish." Part one is here.
To be continued..."A Troubling of Goldfish"
Part 2 of 3
Arthur’s Aquarium was located in the heart of downtown Moistville, on Main Street halfway between Main Avenue and Main Drive. Santos walked in the front door, and was immediately greeted by the smell of the sea. The smell of the sea showed him to the back of the store, where Arthur Mason was sprinkling flakes of TetraMin into a large fishtank stocked with small goldfish. Oddly, it was only one of two aquaria in the store. A large, 100-gallon, pentagonally-shaped tank stood in a dark corner of the store. It was filled with water, yet contained no fish.
“Yes, may I help you? And may I remind you that we are having a sale on clown triggerfish. Only $75 dollars each, two for $125. Even nice at twice the price.”
Santos stared at the goldfish in the tank hypnotically. “I’m Captain Bernard Santos, of the Moistville Police Department. May I have several words with you, Mr. Mason?”
“Certainly.” He closed the top of the fishtank and replaced the tin of fish food on a shelf above it. He turned around to face Santos. Santos immediately noticed that he was wearing elevator shoes and an appallingly bad toupee. The Master, he thought.
“Um, Master—er, Mister—Mason, I’m very curious about those goldfish. How many do you have there?”
“Thirty. A ‘troubling.’”
“I’ll bet they are, yes.”
“No, Captain. A ‘troubling of goldfish.’ A group of goldfish is called a troubling. Much like a ‘gaggle’ of geese, a ‘pod’ of seals, or an ‘arm’ of frogs.”
“Or a ‘murder’ or crows,” contributed Santos.
“Exactly, Captain. I’m unaware of the etymology of the term ‘troubling.’ I wrote to ‘Ask Marilyn’ to find out, but she never responded. Oh, well. One of the many mysteries of life, I’m afraid.”
Santos noticed that Arthur Mason had a trace of a British accent, which made even his tendency to randomly shout profanities sound dignified.
“Speaking of the mysteries of life, Mr. Mason, I seem to be confronted by several of them.”
“That is a shame, Captain,” said Mason. “How can I help you? I am a mere proprietor of fish, not a great detective.”
“Mr. Mason,” said Santos, pointing to the tank, “how large do these fish get?”
Mason shrugged. “Depends on the owner, really. If they overfeed them, they can get quite large indeed. Otherwise, they pretty much stay about the same size. Of course, underfeed them, and they’ll be floating at the top of the bowl. That tends to happen a lot anyway. Is that your great mystery, Captain?”
“No, not really. Tell me, how many other types of fish do you have?”
Mason gestured around the store. “As you can see, Captain, I have a limited variety in stock. But I assure you, I can readily obtain any species you desire. What will it be, Captain? A garibaldi damselfish? A raccoon butterfly fish? A purple dottyback? A Picasso triggerfish? Name your fish, I can procure it for you.”
“No, I’m not really in the market for a fish right now.”
“Then perhaps one as a gift for that special someone? I always encourage my customers to give fish as gifts. In fact, whenever one of my customers makes a purchase, I always provide a free goldfish for just that purpose. I do not recommend using wrapping paper, but a carefully constructed bow attached to a dorsal fin looks quite festive.”
“No, look, Mr. Mas—”
At that point, a jingling bell heralded the arrival of a customer. It was Miss Westerberg, Santos noticed, the proprietor of the world-famous Moistville Emu Farm.
“Yes, may I help you?” asked Mason, walking up to her. “Ah, Miss Westerberg. Lovely to see you this morning.”
“Thank you, Mr. Mason, and the same to you of course. I’d like to add to my aquarium again today.”
“Ah, of course. What’ll it be today?”
“Mm. What do you recommend?”
“I know your taste, Miss Westerberg. May I recommend a sargassum fish, Histrio histrio, native to the tropical Atlantic and western Pacific, tends to hide among sargassum weeds. You’d love it.”
“I trust your judgment. Mr. Mason. Make it so.”
“As you wish . . . .”
He walked over to the empty pentagonal tank. Standing in front of it, with his back to Santos, Santos could not see what was happening in the tank. But he noticed that, as Mason moved his hands over the top of the tank, it began to emanate a bright light, and heard the sound of bubbling water. Several moments later, Mason turned around, holding a transparent glass orb containing a rather odd-looking fish. He walked back to the front of the store, and handed it to Miss Westerberg.
“Ooh, how exotic,” she said, examining the fish.
“Yes, I thought you’d like it.” He walked over to the goldfish tank, grabbed a small net, and scooped one of the goldfish out and placed it in a water-filled plastic bag. He returned once again to the front of the store and handed it to her. “And who is this one for?” he asked.
“For Denver Eggles, the nice man next door. He’s been kind enough to feed my emus when I go to my biker rallies, so I thought I would give him a nice gift.”
“That’s what I always say, ‘give the gift of fish.’”
She paid for the fish, and took her leave of him.
“Oh, and remember, Miss Westerberg, keep the sargassum fish at a temperature of 68–80 degrees Fahrenheit. And make sure you include floating sargassum weed. They like to stay concealed whenever possible.”
“Of course. Thank you.”
With a jingle of the bell, she was gone.
“Another satisfied customer, I see,” said Santos.
“I do my best, Captain,” said Mason.
“That was a neat trick with the tank over there. How’d you do it?”
“Oh, come now, Captain, I can’t give away all my secrets, now can I?”
Santos walked over to the goldfish tank and examined them closely. He noticed something odd about them. “Mr. Mason, these goldfish. They are Carassius auratus, correct?”
“Yes, of course. I wasn’t aware you were versed in ichthyology, Captain.”
“I’m not. I simply pay attention when people talk to me. Sometimes. These fish, Mr. Mason. They look peculiar.”
“Peculiar?”
“Mm. I’m no expert on goldfish, but I have flushed my share of them. These don’t look quite right. Their skin looks, well, baggy, like a deflated puffer fish.”
“There are many varieties of goldfish, Captain. That is the particular trait of this particular one. I assure you that they are quite healthy.”
“I have no doubt about that. My problem is that in the past week I’ve seen two extremely enormous goldfish.”
“And . . .”
“And they were both right next to dead men. Dead men who later got up and walked away from the autopsy room.”
“Perhaps they weren’t quite dead, Captain. That sort of thing happens all the time, much in the same way an automobile will suddenly make no more strange noises when it’s in the repair shop, or an intense pain will vanish the moment you walk into a doctor’s office. And I scarcely see what my fish have to do with anything.”
“I don’t either, at the moment. Mr. Mason, are these goldfish poisonous?”
“No, of course not. I do sell fish that are dangerous or poisonous, but I assure you that goldfish are the most inoffensive of creatures.” He glanced into the tank. “Well, harmless, anyway.”
Santos couldn’t help looking into the tank.
“Look, Captain, I have a lot of work to get done today. My partner is out of town at the moment and I’m afraid he left me to do all the work.”
Santos’s ears pricked up. “Partner?”
“Yes, Mr. Master, my business partner. He is in the Caribbean at the moment on a buying trip.”
“Mr. Master.”
“Yes, that is his name. We have been in business together for well nigh twenty years, or however long a nigh is.”
“But you just opened. That was certainly not twenty years, nigh or no nigh.”
“We were previously located in London, but we decided to relocate.”
“To Moistville?”
“With a name like that, one couldn't ask for a better location for an aquarium store, now could one?”
“No, one supposes not.”
“Now, Captain, I respect the fact that you have a mystery on your hands, but until you have a compelling reason to be here, I suggest you go search for clues someplace else.”
Santos smiled inwardly, whatever that means. “Yes, I think I will.” He turned to leave. “Oh , Mr. Mason, I understand you bought the old Edgard House.”
“Yes, what of it?”
“You do know it’s haunted.”
“No, I did not know that. It was a bit creepy at first, but I got rid of the Donovan poster, and it seems fine now. The toilet doesn’t seem to work very well, if that’s what you mean.”
“Hmm.”
“At any rate, Captain, auf wiedersehen.”
“Huh?”
“‘Auf wiedersehen’. It’s German. It means ‘good—’”
“Yes, I know what it means, I’ve seen The Sound of Music.”
“Ah.”
Ah, indeed.***“The Sound of Music?” asked Jordan, after Santos related the events that had transpired at Arthur’s Aquarium.
“Yes. Wasn’t ‘Auf Wiedersehen’ a song in it? Or am I thinking of ‘Edelweiss’?”
“I don’t know. I’ve never seen The Sound of Music. I’ve seen The Andromeda Strain, though.”
“The Andromeda Strain? What does that have to do with The Sound of Music?”
“Weren’t they both directed by Robert Wise?”
“Possibly.” That voice inside Santos’s head was once again screaming “Change the subject! Change the subject!”
Fortuitously, Santos’s phone rang at that moment. “Yes, and thank you for calling.”
“Bernard, it’s Adolph. Get down here immediately.”***“Yes, you wanted to see me?” said Santos.
“Damn that was fast,” said Schlickelmeinengrubenbieder, hanging up the phone.
“What’s so important?”
“This.” He pointed to a large pan in front of him, inside which was Snogg’s goldfish, apparently dead, returned to a mere one-inch length. It was surrounded by several quarts of blood. Santos stared at the grisly tableau.
“Don’t tell me it bit you again.”
“No, it didn’t. I had gone home to watch Quincy—I’m addressing the Forensic Pathology Department of Lakeside Elementary School next week and needed a discussion topic—and when I returned, Goldie here was floating upside-down in the bowl. I guess with all the tests I was running I forgot to feed him. Anyway, as I was dissecting him, I made a small incision and all this blood poured out.”
“Wow. I didn’t know fish had this much blood.”
“They don’t. This is human blood.”
Santos wasn’t sure how to respond. “Human blood? How the heck did it get into a goldfish? Don’t tell me the Medical Center is embroiled in another blood transfusion controversy.”
“I suspect, Bernard, that this is Snogg’s blood. Before he up and left, I had time to do a preliminary examination. Like Smeldman, there was no blood left in his body. Also before he up and left, I did manage to make an intriguing observation, which I didn’t at first know what to make of, but now I do. Look at this.” He picked up a photo from the table. “This is a magnified picture of the tip of Snogg’s index finger. See that right there? Two tiny marks in the skin, both about half a millimeter in diameter, and set half a centimeter apart.”
“Hmm. What do you make of that?”
“I didn’t know at first. But this fish has teeth that are unusual for a goldfish. Look.” He pried open the fish’s mouth and handed Santos a magnifying glass. Look at those front two teeth. Goldfish don’t have incisors like that.”
“Adolph, those are fangs.”
“Colloquially put, but essentially accurate, I would say. And those fangs are the same size as the wounds on Snogg’s finger. They are also set apart exactly one-half centimeter. Bernard, it is my somewhat professional opinion that this fish sucked all the blood out of Snogg’s body.”
Santos dropped the magnifying glass, and it shattered on the floor.
“You’re not putting me on, like the ‘crab fingerprint’ episode, are you?”
“Absolutely not. What we have here, is a vampire goldfish. I dare say that Smeldman was killed in the same way.”
“Well, it would explain the walking undead part, too.”
“In this town, Bernard, I wouldn’t make too much of that.”
That, indeed.***Later that evening, Santos was once again in his bathroom staring out at the Edgard House. He supposed he should flash back to That Evening in 1967, but was loath to. Some memories should just remain buried, he supposed. But then, as if being prodded by some uncontrollable force, such as the desire to keep the plot moving, he did. . . .
(dare you dare you dare you dare you dare you dare you dare you dare you)
“All right, now cut that out!”
“You sound like Jack Benny,” said Schlickelmeinengrubenbieder.
“I’ll do it, I’ll do it.” He thought about it, and realized that there are no such things as monsters. This was of course long before he had to deal with a divorce attorney. Anyway, spend an evening in the Edgard House, leave early the next morning. Quite simple, really.
Schlickelmeinengrubenbieder and his cronies watched as he trudged up the front steps early that evening. Santos was upset that he would have to miss Star Trek on TV that evening. It was the last episode of the season, and he didn’t know if the show would ever be rerun.
He opened the door and stepped inside. At the top of the stairs, he averted his gaze to avoid the Donovan poster and walked into the master bedroom. All the furniture was still there; apparently, Edgard himself had picked it out, in one of those mid-1960s futuristic phases. Even a year later, his wife wondered just what he had been thinking, and apparently she moved the family out and decided to take a loss on the furniture.
(And the Donovan poster, Santos thought.)
He put his sleeping bag on the bed and walked around the room. What little he could see was illuminated feebly by the last rays of the setting sun shining through the dusty bedroom window. The half-opened Venetian blinds cast horizontal stripes on the opposite wall. Or so Santos thought; upon closer examination, the pattern turned out to be on the wallpaper.
(bad taste bad taste bad taste)
He walked out to the living room (again averting his gaze from the Donovan poster) and went over to a bookshelf. Since it would be many years before either the Sony Walkman or the Sony Watchman would be invented, he would try to find a book to help him pass the time. He skimmed through the titles: The Collected Works of Edgar Allan Poe, All-Time Great Horror Stories, The Big Book of Crime Scene Photographs, The Year’s Best Ghost Stories, and a novel called You’re Alone in a Spooky House and Things Are Going to Get You. Just the sort of reading material he didn’t need at the moment. He wandered around the house aimlessly; he figured he’d be scared, not bored. In a kitchen drawer he found a pack of playing cards, so he began playing solitaire, until that got tedious, which was after one hand.
It wasn’t long before the sun was gone completely, and the house was completely dark. Unfortunately, he and Schlickelmeinengrubenbieder had knocked out the streetlight the previous evening, so there was no light anywhere. He went back into the bedroom and unpacked his night lights. To his horror, he realized
(Niagara Mohawk Niagara Mohawk Niagara Mohawk)
that the electric company had turned off the power. He went back out to the kitchen; maybe there would be candles.
He was chilled to suddenly feel a cool breeze on his neck. He spun around to make sure no hideous ghoul was about to get him. Thankfully, it was only the flapping of a bat. Fortunately, he knew that bats were quite harmless, and were actually beneficial in that they ate many pounds of mosquitoes in an evening.
(Merlin Tuttle Merlin Tuttle Merlin Tuttle)
He would contribute much money to Bat Conservation International once he reached his adulthood. He resumed his search and found a pack of birthday candles in a cabinet above the refrigerator. He also found a pack of matches, so he lit two candles and saved the rest for later. He walked back to the bedroom. He melted the wax on the bottom of one candle using the other, and stuck it to the top of the bureau. He melted the bottom of the second one and also stuck it to the top of the bureau. With somewhat decent light, he finally noticed how truly repellent the decor was. That was the scariest part, the young Santos believed: staying in a house whose decoration was inspired by 2001.
Growing even more bored, he decided to look through the closet. His parents had warned him not to poke through other people’s closets, only their medicine cabinets, but he figured since no one actually lived here it would be okay. He turned the knob and as he opened the door what looked like a human form fell out on top of him. He crumpled to the floor, the thing on top of him, screaming in terror. He stopped abruptly, noticing that it was too light to be a dead body, or a skeleton, or even Bette Davis. It was made of cardboard. He got up and reached for a candle. Illuminating the odd object, he saw that it was
(dare you dare you dare you)
a life-size cardboard cutout of Ringo Starr.
(we all live in a yellow submarine)
He again screamed in abject terror and ran from the room. He ran down the stairs and, in his confusion, accidentally turned the corner by the front door and ended up going down one more flight into the basement. Slightly disoriented, he was surprised to notice a light emanating from the far corner of the basement. Curious, he wandered over to it. It appeared to be a fishtank, and the fluorescent lamp built into the lid was on—and the filter seemed to be working—despite the fact that there didn’t appear to be any power cord running to the outlet. Batteries, he supposed.
(Knock this battery off my shoulder, I dare you dare you dare you)
He had no idea what that meant; as far as he knew, Robert Conrad wasn’t really a star yet. He looked into the fishtank, and noticed two goldfish, seemingly in perfect health, swimming about, although he couldn’t imagine that anyone had fed them in a while. He looked around, and saw a dusty can of fish food lying on the floor nearby. He opened it, and sprinkled a few flakes into the water. The fish perked up, and immediately began devouring them. Unlike goldfish he had had when he was younger, these seemed to be indulging in a rather violent feeding frenzy, like sharks attacking a chunk of chum, or his Uncle Mort at a buffet table. He knelt down and put his face close to the glass to watch the fish eat like pigs. Suddenly, one of the fish, apparently conscious that Santos was there, swiftly turned toward him and bared a large set of fangs, growling. Santos jumped back and screamed again. Despite his shock, Santos was nothing if not rational, and knew that they must simply be hungry, that there were no such things as killer goldfish. He opened the tin of food again and dumped rest of it in the water, and he watched as a thick cloud of fish flakes enveloped the fish. They seemed quite excited by this, and they began to unleash another feeding frenzy
(Uncle Mort, that’s not real fruit, that’s not real fruit, that’s not real fruit)
writhing about in the water. In minutes, they had eaten all the food in the tank, and then went after whatever had settled to the bottom of the tank. They started to dig into the four-inch layer of gravel and, as they did, an object was uncovered, which begin to float around, buffeted by the currents generated by the feeding fish. Santos saw that it was a human finger, tendrils of veins and arteries dangling from one end. What revulsed Santos more was that there was dirt under the fingernail. Yuck! he thought. The fish then went after the loose flesh attached to the finger, and soon ate it down to the bone. Santos was more than a little freaked out by this and did the only logical thing: he fainted.
When he came to, he wasn’t quite sure where he was. The candle had apparently gone out, and he was conscious of there being complete darkness. As he slowly began to remember what had just transpired, he was surprised to find that the fishtank’s filter was no longer running, and that the light had gone off. He felt around on the top of the tank for the light switch and clicked it a few times. It wouldn’t work. He ran back upstairs to light more candles. When he returned, he noticed that the two fish were floating on their sides on the top of the tank. They had grown stunningly large, apparently from all the food, yet had obviously gorged themselves to death. Santos looked around the basement and found an aquarium net. He scooped the fish from the water and carried them upstairs to the bathroom. Hoping the plumbing still worked, he unceremoniously dumped them into the toilet. As soon as he flushed, he again noticed their size, and thought back to the tragic tennis ball incident in his own house several months earlier. In a replay of that incident—a more gruesome one, admittedly—the two large fish, rather than going down the drain, effectively plugged it up, and Santos noticed the water level in the bowl rising. He searched frantically around the room for a plunger. Damn! You’d think a prominent septic-tank unclogger would have at least one. He ran back to the bowl; the water was two inches below the rim. He ran from one room to the next, ransacking closets, searching through dresser drawers (well, you never know . . ., he thought), checking on shelves, under beds, between sheets. Not one damn plunger in the whole house. He ran back to the bathroom—one inch below the rim!—and tried to think: what would McGyver do?
(Wait a minute, he thought; this is 1967. Who the hell is McGyver?)
Never mind that! Think, think, think! Half an inch to go.
He scanned the bathroom: soap dish? He grabbed it and tried to dislodge the fish with it. Nope, didn’t work. Toothbrush? He tried to pry the fish loose. (Quarter of an inch to go.) Nope, won’t work. Hanging shower caddy? He grabbed it and tried to use the hook to pry the fish loose. Nope. (Eighth of an inch to go.) Safety razor? Nah. (Sixteenth of an inch to go.) Diaphragm? Huh? (Thirty-secondth of an inch to go.) (Santos suddenly understood Zeno’s motion paradoxes.)
Unfortunately, despite what Zeno had to say about the impossibility of ever reaching the end of a motion, the water level did indeed reach the rim of the bowl and began to pour out onto the cheap linoleum flooring. So much for logic. The young Santos, who in about thirty years time would be a police captain, fled the house, screaming.
Schlickelmeinengrubenbieder and his cronies, who had apparently been camped outside awaiting this very moment, laughed uproariously as Santos went running past them.
“Knew you couldn’t do it! Scared? Huh? Are ya? Hah hah hah!” screamed Schlickelmeinengrubenbieder.
“Chicken!” screamed one of his cronies.
“Yellow coward!” screamed another.
“It was the wallpaper, wasn’t it?” yelled a third.
“Hi, honey.”
A female voice jolted Santos out of his flashback. He spun around. It was her again.
“You again.”
“I’ve brought a little peace offering. I’m sorry about last night. I don’t know what got into me.”
She handed him a fishbowl containing a goldfish.
He jumped back in shock. He spoke in his most authoritative police voice, “Look, put the goldfish down and keep your hands at your side.”
She was apparently undeterred. He supposed he didn’t have a very authoritative voice. She drew closer to him.
“Look, Miss, I don’t know who you are, but I—uh—I’m allergic to goldfish. Any closer, and I’ll be sneezing like crazy.”
She stopped. “Oh, I’m sorry to hear that. And he’s such a . . . frisky little devil.” She put the bowl on the floor and continued to approach him. “And I’m just as frisky.”
“Did you see that episode of Dr. Who last night? Terrific episode. It was the one with the five Doctors and—”
“Oh, you Belong.” She seemed utterly confused. “That’s okay. I mean, I’m okay with that. Really. Um, you know, I really liked Torch Song Trilogy. I even own a few Patsy Cline records. I’m sorry. I’ll go now.”
She picked up the goldfish bowl and left abruptly.
Santos snapped his fingers. He ran into the living room and called Jordan. “Lieutenant, I think I know what’s going on.”
“Um, look, she was just leaving. Really. She just came over for coffee. We weren’t doing anything. . . .”
“I mean about the goldfish.”
“Captain, do you know what time it is?”
“It’s eight o’clock. Am I interrupting The Munsters or something?”
“No, Captain, it’s midnight and you’re interrupting something that is most definitely not The Munsters.”
Santos blushed, but a lot. “Oh, I apologize, Lieutenant.”
“It’s quite all right. Now, if you’ll excuse me.”
In the background, Santos heard a female voice. “Jordy, I forgot to give you this little gifty.”
“Um, Captain, I really have to go now.”
As he was hanging up, he heard his voice say, “A fish . . .”
“Jordan!” Santos shouted into the phone. “Stay away from that—”
At that point, the line went dead.
“—fish.”
He quickly dialed headquarters. “Sergeant, this is Santos. I want a squad car to meet me at Lieutenant Jordan’s apartment as soon as possible.”
“Fine, sir. Oh, sir? Where is Lieutenant Jordan’s apartment?”
“1313 8th Street.”
“We’re on our way.”
Way, indeed.***“What’s wrong, Jordy?” cooed a female voice.
“A scene, Jane, all to myself. I’m actually not accompanying Santos, or watching him pace, or muttering obscure cultural references which he never gets anyway. This is an amazing moment for me.”
“Don’t you like your fishy?” she asked in a childlike voice.
“Yes, very much. It’s—um—gold.”
She giggled. “Let’s call him Goldy.”
Jordan turned to face her. “You know, I don’t think you have ever uttered a sentence that didn’t end with the letter ‘y’.”
“I’ve written a letter to Daddy.” She giggled again.
Jordan approached the goldfish. “Well, let’s have a look at him, then.”
Jane reached into her purse and removed a tin of fish flakes. “Why don’t you give him something to eat,” she suggested.
“-y,” finished Jordan, not unsarcastically.
“You know what he likes? Put one of these flakes on the end of your index finger, and let him eat it right out of your hand.”
He hadn’t noticed that her voice had suddenly taken on a much deeper tone.
“Okay,” he said, for no apparent reason.
He dipped his index finger in the tin, a few flakes sticking to the end of it. He then dipped his finger in the bowl. The fish quickly swam over to it and sniffed it. It opened its jaws . . .
Jordan giggled. “That kind of tickl—” He then shrieked in terror as the fish’s fangs dug into his finger. He could feel the fish begin to suck on the end of it. He felt his blood begin to flow out of the wounds into the fish. He tried to pull his arm out of the tank.
“Why can’t I move my arm, Jane? It’s only a two-ounce fish, for God’s sake!”
“It injected a fast-acting neural paralyzer into you. You won’t be able to move your body for several hours. Which disappoints me more than you know.”
“Help me! Jane, stop this crazy thing! I don’t want a scene by myself. I think I like it better when Santos is around!”
“Sorry, Jordy. The Master wouldn’t approve." With that, she grabbed her purse. She withdrew a slip of paper and walked over to his desk, placing the paper among what she believed to be his important papers. She then walked toward the door.
She was prevented from exiting by the fact that the door was kicked in from the outside. It was torn off the hinges and a chunk of the wooden frame was torn loose.
“It was unlocked!” yelled Jordan.
“Jordan!”
Santos ran into the room, followed by several cops. He pulled Jordan’s arm from the bowl, and struggled to yank the fish from his finger. The fish was beginning to swell.
“Captain, I’m beginning to feel a little faint.”
With a swift yank, the fish came off Jordan’s finger. Santos flung it across the room, where it hit the wall. It flopped around on the carpet for a bit, then was still. Santos helped Jordan to the sofa.
“Captain, Jane here, she deliberately had the fish attack me,” Jordan said.
“It was the Master,” said Jane. “The Master wanted it done. I was just following orders. I was in Austria during the war.”
“Right,” said Santos. “Men! Take her down to headquarters. I’ll be down to question her later. I’ll stay here with Lieutenant Jordan for a while.”
The men handcuffed Jane and led her away. Santos sat down next to Jordan.
“Captain, what the heck was that about?”
“That, Lieutenant, was a vampire goldfish.”
“You’re kidding, right?”
“I’m afraid not. Lieutenant, I desperately need a car park right now.”
“You could paint lines on my carpet, if you’d like.”
Santos stood up and paced anyway. “Let me see if I’ve got all of this straight. Arthur Mason is breeding vampire goldfish. Somehow, the Master—his partner, Mr. Master—is hypnotizing all the women in town. They are allowed to buy the exotic fish of their dreams, any fish in the world that they want. In return, they are given one of Mason’s goldfish, which they are coerced into giving to men, which then drains their blood and makes them into walking zombies.”
“The fish injects a neural paralyzer into the body, which is supposed to last for several hours.”
“And that must be why the previous victims didn’t get up and walk away until they were in the morgue. But why the sci-fi plot summaries?”
“Secret code, perhaps? You know, you let them know who Belongs and who doesn’t?”
Santos nodded. “Mm, right, like a secret handshake, perhaps.”
“But why, Captain? Granted, it seems to want to take over the town, but why would one want to do that? What can be gained by taking over Moistville?”
“I have a theory.” He spied a computer across the room. “Lieutenant, you’re kind of ‘hip’ and ‘with it,’ whatever that means. Do you have Internet access from here?”
“Yes.”
“Would you mind if I logged on? I need to try to find something.”
“Go ahead. Do you know how?”
“Does a fish swim?” he smiled.
“Captain, please don’t mention fish.”
Santos sat down and booted up the PowerMac 6100. “Impressive machine, Lieutenant. You can afford this on what I pay you? Hmm.” He located Jordan’s ISP program and launched it. He clicked “dial” and soon the modem was making all the appropriate noises. Well, except for the busy signal.
“It’s America Online,” said Jordan. “This may take a while.”
Forty-five minutes later, Santos was able to log on. “I want to find photographs of all the milkmen who worked in Moistville in the late 1960s.”
He located a World Wide Web search engine and in the search field entered “milkmen Moistville”. The search engine returned two items.
“Wow. I must get one of these. This is pretty impressive.”
He clicked on one of the two items, which bore the URL “http://www.moistville.milkmen/unimoist.edu.” The computer was sent to the Web site, and soon the home page came up.
“Oh, this doesn’t help. This is simply the transcript of that University of Moistville symposium in 1988 on ‘The Post-Modern Milkman and the Semiotics of Bovine-Related Cultural Iconography’.”
“Actually, that was a pretty good symposium. I was on that committee.”
“I didn’t know you went to Unimoist. You learn something new everyday I suppose.”
He went back to the search page and clicked on the second URL: “http://www.dairymoist/milkmen.moistville.com.”
“Aha! This is exactly what I want. ‘Photo Gallery of Moistville Milkmen: A Historical Retrospective’.” He clicked on the link marked “1950–1990.” Once that page was loaded, he clicked on the link marked “1960–1970,” then on the link marked “1965–1970,” then the one marked “1965–1966,” then finally the one marked “1966.” “Boy, you certainly do need to descend through all these strata, don’t you?” The page and pictures loaded. When they appeared, Santos let out an “aha!”. “Jordan, have a look at this.”
“Um, in case you’ve forgotten, sir, I can’t quite move right now.”
“Oh, right. It says here that a man named Mason Arthur was a milkman for Dairy Moist from 1960 to 1966. For all those years, he worked the route that in 1965 included the newly-built Edgard House.”
“Oh, good, I had been wondering about that. Captain, what does that have to do with the fact that a bloodsucking goldfish nearly killed me?”
“It means that our dear friend Arthur Mason, né Mason Arthur, was the milkman who caused all the trouble for Edgard House, and who is now causing even more trouble for Moistville. You see, Jordan, I had completely blocked out of my memory—in some weird Freudian way—the events of 1967, when I was coerced into spending an night alone in that house. On that evening, I discovered two goldfish alive and well in the basement. They were similar in temperament to the ones that are now making the rounds of Moistville.” Santos related the contents of his most recent flashback to Jordan. When he finished, he awakened Jordan and added, “It is my theory that Mason Arthur deliberately—and through what means I do not know—had House’s neighbor mishear the ‘cheese’ remark as an admission of murder. Arthur wanted House out of the house. I don’t think the rest of the Houses left of their own accord, I think Arthur murdered them. Although I suspect the bodies were disposed of such that they would never be found (in other words, eaten by fish), but just in case, there was already someone in prison for it. Arthur covertly used the house as a place to keep the fish, until such time as he could afford to move into it himself. The Houses had been carrying a pretty steep mortgage, and a milkman’s salary is not exactly a high one. By ensuring that people thought it was haunted would keep people away, with the exception of brave and stupid ten-year-olds.”
“Captain,” said Jordan. “Are you still connected to America Online?”
“Yes. Why?”
“Did you know that they charge by the minute? And did you also know that you’ve talking for a lot of minutes?”
“Oh. I apologize. Jordan, how do I save a copy of this picture of Arthur?”
“Hit ‘shift-command-3’. That’ll generate a screen dump of whatever you’re looking at.”
Santos did a screen capture, logged off, and copied the screen capture onto a floppy disk. “Don’t worry, Lieutenant, the department will reimburse you for the time I was online.”
Jordan growled a little, but was interrupted by finding that he was suddenly able to move his arms. And his legs. He tentatively stood up.
“Captain, I can walk! I can walk!”
They were interrupted by movement on the living room floor.
“Captain, the fish! It’s still alive!”
“No, Jordan, it’s not alive.” He walked over to it, picked it up carefully by the tail, and plopped it back into the bowl. It began to swim with its usual enthusiasm. “It’s undead. Let’s leave it here for the time being. Just don’t go near it. Now let’s get down to headquarters. We’ve got work to do.”
Wednesday, January 23, 2008
The End of Medea
And now, the exciting conclusion of Mass Medea. Part 1 is here. Part 2 is here. Part 3 is here. Part 4 is here.
INT. CONFERENCE ROOM - DAY
The Cool Gadgets conference room, immediately after the previous scene. Helen, Jean, Neal, Carl, and Janice are seated around the table. They are all quiet and subdued. Conspicuously so. George enters and sits down. Ivan and Flo follow him in.
He pauses.
Carl raises his hand.
EXT. MODERN ELECTRONICS OFFICE BUILDING – DAY
ESTABLISHING SHOT
INT. FLO’S OFFICE - DAY
Flo is sitting at her desk staring at a Word document open on her computer screen. She is talking to Ivan on a speakerphone.
INTERCUT PHONE CONVERSATION
EXT. LOU’S PLACE – NIGHT
ESTABLISHING SHOT
INT. LOU’S PLACE - NIGHT
Lou’s Place, the night after the previous scene. Brian, Neal, George, Janice, Carl, Jean, and Helen are seated around a large table. They’ve been there a while, and have had a few rounds.
EXT. COOL GADGETS OFFCE BUILDING – NIGHT
ESTABLISHING SHOT
INT. LOBBY – NIGHT
The Cool Gadgets lobby. The glass doors are closed and locked. The elevator door opens and Brian, Neal, George, Carl, Janice, Helen, and Jean get off and head to the doors. Neal takes a keyring out of his pocket and inserts a key into the lock. It doesn’t turn.
INT. NEWSROOM – CONTINUOUS
They all enter the newsroom. Neal walks into his office and looks at his computer.
Everyone stands around looking stunned.
INT. RECEPTION AREA - NIGHT
Fifteen minutes later, Brian, Neal, Carl, and Janice stand in front of the elevator doors. Boxes of their possessions are on the floor. GEORGE enters carrying a large box.
INT. NEWSROOM - NIGHT
Helen emerges from her office carrying a box in one hand and the cake in another. She is joined by Jean who carries a folder. Will stands off to the side watching them.
INT. LOU’S PLACE – NIGHT
A short time later that same evening. Brian, Carl, Neal, George, Janice, Jean, and Helen are gathered around a large table. Their boxes of possessions are on the floor around them. They are drinking champagne.
"Mass Medea"
An Original Screenplay--Part 5
An Original Screenplay--Part 5
INT. CONFERENCE ROOM - DAY
The Cool Gadgets conference room, immediately after the previous scene. Helen, Jean, Neal, Carl, and Janice are seated around the table. They are all quiet and subdued. Conspicuously so. George enters and sits down. Ivan and Flo follow him in.
IVANThank you all for taking the time out to meet like this. Now, I know things have not been the greatest here lately, but Flo and I are here today to try to fix all that.
He pauses.
That gets everyone’s attention, save George. Especially Carl, who is visibly unnerved.IVANNow, you all probably don’t know Florence Estrine, who is the publisher of Modern Technology magazine. I’ve asked her to come out today and act as interim publisher of Cool Gadgets.
George LAUGHS.CARLUm, what exactly do we need an interim publisher for? Has there been some sort of bloodless coup we were unaware of?IVANNo...
(tries to laugh it off)GEORGEThere was blood.CARLWhat?!IVANIt was felt in Chicago that Brian was not an effective leader, that he was brilliant at running a publication when he was the sole decision-maker, but he just wasn’t working out the way we needed him to. So I have asked him to step aside and, for the time being, Flo here will be taking over as publisher of Cool Gadgets. Now, Flo and I have drawn up a short-term plan for getting our ad pages back to where they should be. Flo?FLOThanks, Ivan. Let me just begin by saying that I’ve been a fan of this publication since you guys started. I’ve tried to run Modern Technology in the image of Cool Gadgets, but you guys just had that certain je ne sais quoi. So I’m thrilled to be working with you all. I don’t want to change too many things—there’s no need to reinvent the wheel—but there are a few policies we’ve implemented at Modern Technology that I think would be worth implementing here. One of the things that both our editors and our sales force have appreciated is a greater sharing of intelligence.CARLYo, quit bogarting that brain cell, dude.
(sotto voce)
FLOFor example, our editors and writers file weekly reports to the sales department mentioning—really informally—who they met with that week, what companies they spoke with, what products they evaluated, the gist of the discussion, and so forth. This helps the sales force so that when they go into meetings with various accounts—old or new—they can speak like someone in the know. “Hey, I hear you have a new thing coming out. Tell me about it.” You get the idea. It gives our sales force a foot in the door, so to speak. And what’s good for our sales force is good for all of us.
Carl raises his hand.
George finds this hysterical.IVANYes, Carl, what is it?CARLIs it just who we meet with professionally?FLOI’m sorry?CARLThese reports. Is it just people we meet with professionally, or should I include people I have sex with, as well?
Ivan stares daggers at Carl.NEALCarl...
That gets Helen and Jean’s attention.FLOThe other thing I’d like to bring up at this time is that we think it would be more effective if we centralized production in Chicago. We have the resources, and it makes little sense to reduplicate a lot of the work we already do here.
(ignores Carl)
Ivan and Flo look at each other nervously.HELENIvan, does that mean I’m...IVANHelen, Jean, we’ll discuss this later.CARLNo, we’ll discuss this now. Does this mean that Helen and/or Jean will be laid off?IVANThis is not a discussion that we should be having in public. Helen, Jean, Flo, and I will discuss this later.CARLBecause if either of them go, I go.IVANIs that a promise?CARLWhy not try me.GEORGEYeah, and me, too.NEALWhat?HELENGuys, don’t be ridiculous.GEORGEI’m serious. If Helen or Jean goes, I go. We’re a team here. It’s bad enough you canned Brian’s ass, but this is where I draw the line.IVANOK, duly noted.JANICEYou’d really quit if Helen got fired?
(sotto voce to George)GEORGEIn a heartbeat.JANICEYeah, same here.NEALJanice!CARLWell, Ivan, you’ve got a nice little insurrection going on. Brilliantly played.
Carl LAUGHS.IVANLook, I appreciate the fact that you all stand up for each other. I think that’s terrific. But, you know, no one has said that Helen or Jean was being fired.
Ivan and Flo hastily leave.FLOAnyway, that’s all I wanted to say at this time.IVANFlo and I have some sales calls to make, so we’ll adjourn this meeting for now. Thanks, guys.
There is a moment of silence while everything thinks.CARLHa-hah! We’ve got the bastards on the run.NEALWere you guys really prepared to quit?CARLI sure as hell was.NEALWell, that I can understand, you’re a name brand in this industry. But George? Granted, the job market is pretty good, but still... And Janice, are you guys thinking clearly?GEORGEI’m thinking completely clearly.HELENGuys, I still say that you don’t need to quit over me.JEANYeah. That’s incredibly sweet, but it makes no sense.GEORGEIt makes perfect sense. What is the point of all this? Is it to just roll over and take what they give you just to get a fucking paycheck? Or does there come a point where you say, “OK, this is just wrong, and I refuse to accept it”?CARLAny single one of us is probably expendable, but if the whole staff quit at once? That freaked them out. And that’s our strength. We have to stick together. Flo’s got the ball now, but our defensive play caught her off guard, and she’s lost a few yards.GEORGEIt’s always supremely entertaining when you try to use sports analogies.CARLThey work for me.NEALNo, they don’t.CARLWhatever the analogy, the point is, we’ve thrown a monkey-wrench into her plans. And if she can’t boost the sales in one or two issues, she’s screwed.HELENSo what do we do?JANICEWhat can we do?GEORGESabotage. Throw our wooden shoes into the machinery. Screw up the magazine-—give everything a bad review, spell everyone’s name wrong….NEALUh, guys, regardless of what’s going on here in the office, we need to be professional.GEORGEYeah, you’re right.
Neal rises.CARLShit, I’m not sure there’s anything we can do.NEALI think we’re just blowing things out of proportion. Let’s just stay focused on what we do and see what happens.JANICEI have a question.NEALShoot.JANICEHow does all this help produce a successful magazine?NEALHuh?JANICEI admit, this is the first job I’ve ever had in publishing and I’ve been here less than a year—but how does all this bullshit, all this political crap, end up producing a quality publication? I don’t get it.CARLAh, sweet flower of innocence.NEALWell, it doesn’t of course.JANICEIt just seems to get in the way of producing a successful publication.GEORGEThat’s because it’s not much mass media as mass Medea.HELEN“Mass Medea”?GEORGEFrom Greek myth. Medea was the wife of the heroic yet unfaithful Jason and, in a fit of jealousy, she killed her own children.CARLI thought she cooked and ate her children.JANICEEwww...GEORGENo, that was lots of other characters from Greek mythology, but although Medea didn’t quite go that far, I like that analogy even better, because that’s pretty much like like Juno—-NEAL--or any other publishing company…GEORGEBasically, out of jealousy and ambition, they all just end up cooking and eating their own children.CARLWell, that doesn’t mean we have to rub ourselves with garlic and climb into the oven.
Neal exits, followed by Carl and Helen. George and Janice stay behind.NEALI have an interview to do. Remember, we still have a magazine to put out.GEORGEPlotting and scheming against our evil overlords is a lot more fun.NEALGuys...CARLBack to the world of dreams...
GEORGEIt’s been a long month.JANICEI know.GEORGEI said some things...I really...JANICESo did I. George, we’ve all been a little out of it lately. I’ve missed you, and I want to get back together.GEORGEMy feelings exactly. And, hey, I’ll try be less dominating.JANICEAnd sarcastic.GEORGEAnd sarcastic. And you need to let me know that I’m pissing you off when I’m pissing you off. Don’t bottle it all up and unleash your fury in one fell swoop long after the fact. That’s not fair. Medea.JANICEYou’re right. I’m sorry.
(laughs)GEORGECome on, let’s go put out our magazine.
DISSOLVE TO:
EXT. MODERN ELECTRONICS OFFICE BUILDING – DAY
ESTABLISHING SHOT
DISSOLVE TO:
INT. FLO’S OFFICE - DAY
Flo is sitting at her desk staring at a Word document open on her computer screen. She is talking to Ivan on a speakerphone.
INT. BRIAN’S OFFICE – DAYIVANWow.
(on speakerphone)FLOWow is right.
INTERCUT PHONE CONVERSATION
Ivan walks out and pokes his head into Neal’s office.IVANThis could kill us.FLOWhat is wrong with these people? I thought they were supposed to be professionals.IVANI think they’ve just been in their own world so long they disappeared up their own asses.FLOWhat?
(gives the phone a strange look)IVANIt seemed like a colorful thing to say. God, Flo, I hate it when you’re 3,000 miles away.
(smiling)FLOUntil we can get everyone in the same time zone we’re going to have to split our coasts.IVANYou know, I’ve never had speakerphone sex.FLOWhat makes you think that situation will change in the near future? Anyway, get Neal in there.IVANOoh, a threesome…FLOIvan!IVANRight.
Neal walks into Brian’s (now Ivan’s) office.IVANNeal, could Flo and I see you a moment?NEALSure.
Neal sits.FLOPlease, have a seat.
(on speakerphone)
Ivan presses the hold button, then dials.FLONeal, I’ve just read Carl’s editorial.IVANThe one called “Mass Inanity.”NEALRight, about the dot-com explosion.FLOHe doesn’t take a very charitable view of the whole “new economy.”NEALNo, he doesn’t.FLOIn fact, the line “another ludicrous dot-com IPO will no doubt hasten the next great economic collapse.” He then goes on to insult specific Internet companies that don’t meet whatever his exacting standards seem to be.NEALI wouldn’t say “insult…”.FLOGet Carl up there.IVANFlo, I’m going to put you on hold a second. Don’t go anywhere.
Ivan disconnects and gets Flo back.CARLCarl Hogarth.
(on speakerphone)IVANCarl, please come up to my office.CARLWhere?
(on speakerphone)IVANMy office.
(enunciating)CARLWhere’s that?
(on speakerphone)NEALBrian’s old office.CARLI’ll be right there.
(on speakerphone)
Carl enters.IVANWhat an asshole.
(shakes his head)FLOThe point, Neal, is that this editorial is really going to infuriate a lot of people we really don’t want to infuriate.
Ivan and Flo look at their respective speakerphones thoughtfully for a moment.CARLYou rang?FLOYeah, Carl, it’s about your dot-com editorial.
(on speakerphone)IVANWhat’s wrong with you?CARLI take it you had issues with it.IVANYou could say that.FLOYou realize that the vast majority of the ads in the magazines in the Consumer Electronics Group are from dot-com companies.CARLI’m sorry to hear that.IVANAnd what makes you say that?CARLWell, I admit, getting dot-com advertisers these days is like shooting fish in a barrel, but the problem with shooting fish in a barrel is that if you keep it up, at some point you’re left with just barrel. And when the dot-coms all go belly up, you’re going to be publishing pamphlets.IVANAnd what business school did you graduate from?CARLLook, you don’t need to have a Harvard MBA to see that the vast majority of what’s out there in dot-com-land makes no sense from a business or a technological standpoint. Much of it defies even basic logic. This is a fucking bubble economy, and when the bubble bursts, it’s not going to be pretty.IVANAnd the fact that economists, Wall Street analysts, everyone in the whole goddamn country seems to disagree with you doesn’t bother you at all?CARLNot everyone disagrees with me, but you tend not to hear them on CNBC because no one wants to hear bad news. Everyone is completely overforecasting and overinvesting, and it’s going to end badly.IVANWhat are you, Nostradamus?CARLNo, I’m far less vague than Nostradamus.FLOYou see yourself as Cassandra, then.CARLIn the sense that no one is listening to me, perhaps.NEALThe point is not how accurately Carl can predict the future. It’s an editorial, it expresses an opinion, and Carl’s is one that I respect, regardless of whether I happen to agree with it 100 percent.IVANAnd my point is that it’s not good business to piss off the people that pay our bills.CARLThat can’t be my concern.IVANAnd why not?CARLBecause we’re journalists. We’re supposed to be objective. If we’re suddenly censoring ourselves because of who advertises, then we may as well just give up.IVANWhat is it with you fucking Bay Area hippies--NEALAll right! I’m ending this now. Here’s my compromise. We’ll run Carl’s editorial, but we’ll do it in the context of a “point-counterpoint.” I will write a rebuttal to Carl’s editorial. I think I can find enough of Carl’s opinions to disagree with.
Carl exits.FLOThat would work.IVANI’m sure you’ll do a great job.(to CARL)Sorry, pal.CARLI have no objection to the idea.IVANReally?CARLNo, I think debate is good. I’ll look forward to your rebuttal, Neal. And I have to admit, Ivan, you’re the first person that’s ever called me a hippie.
Neal returns to his office. Ivan and Flo simultaneously shake their heads in disbelief.IVANThat’ll be all.
FLOWhat are we going to do?IVANIf every single thing we do is going to be a struggle, we have no choice in the matter. This just isn’t worth it.
DISSOLVE TO:
EXT. LOU’S PLACE – NIGHT
ESTABLISHING SHOT
DISSOLVE TO:
INT. LOU’S PLACE - NIGHT
Lou’s Place, the night after the previous scene. Brian, Neal, George, Janice, Carl, Jean, and Helen are seated around a large table. They’ve been there a while, and have had a few rounds.
Neal slams down a martini. There are three empty martini glasses in front of him.BRIANGuys, thanks for this “last night out.” I appreciate it.GEORGEYou’ve been so good to all of us that it’s the least we could do.HELENSo, Brian, what do you plan to do with your “time off”?BRIANI’ve been getting involved in physics again, which I got diverted from all those years ago. I’ve thought of writing and/or publishing something more traditionally physics-related.JEANYou’re being quiet.
(to Neal)NEALAm I required to yammer endlessly?JEANNo, but this is a party. You’re supposed to be having fun.
The Waiter places another martini in front of him. He slams it.NEALI’m having a shitload of fun.BRIANLet me see if I understand the dynamic here. Carl has never been in better spirits, because this whole Juno situation has given him something to rail against, so he’s been in the best mood lately that I’ve ever seen him in.CARLNow, wait...BRIANBecause let’s face it, my friend, you’re never happier than when you’re miserable.JANICEWow, think about that one...GEORGENo.BRIANAnd Neal is feeling like the rug was pulled out from underneath him because he was counting on this Juno situation working out—-oh, I don’t know—-to someone’s advantage.NEALI wouldn’t say the rug was pulled out from underneath me.
The Waiter nods and exits.WAITERAnother one?NEALKeep ‘em coming.
The Waiter delivers another round.NEALNo, the rug was not pulled out from under me. I was wrapped in the rug like a giant burrito and thrown off the Bay Bridge.BRIANDrinking yourself into a coma is not the answer.GEORGEWell, it would depend on the question.JANICEWhat would the question be?GEORGE“Do you want to drink yourself into a coma?”NEALCute.
They all rise.BRIANNot to make this a maudlin event, but I just want to say at this point that I’ve really enjoyed working with all of you. To see how you’ve grown and prospered in your jobs really is amazing. George, Janice, I remember when each of you started, neither of you had the slightest idea about technology, but you learned really fast.JANICEWell, you thought Syracuse was the capital of New York.BRIANI still maintain that there is no such place as Albany.HELENDamn!BRIANYes, Helen?HELENI just remembered, I don’t know how I forgot. I baked you a “going away” cake. I left it in the refrigerator at the office.JANICEI say let’s go get it.GEORGEI agree.CARLLet ‘em eat cake!
They all exit.NEALI’ll get the check.CARLCan you even see it?NEALWell, it’s not here yet, so, no.CARLYou’ve run rings around me logically.NEALThat’s apparently my job now.CARLWell, you know, when you dance with the devil, you...get blisters on you feet.NEALIs that how that goes?
(laughs)CARLI seriously doubt it.
DISSOLVE TO:
EXT. COOL GADGETS OFFCE BUILDING – NIGHT
ESTABLISHING SHOT
DISSOLVE TO:
INT. LOBBY – NIGHT
The Cool Gadgets lobby. The glass doors are closed and locked. The elevator door opens and Brian, Neal, George, Carl, Janice, Helen, and Jean get off and head to the doors. Neal takes a keyring out of his pocket and inserts a key into the lock. It doesn’t turn.
Brian tries the key.NEALIt won’t open.JEANHow many martinis have you had?NEALNot enough to impair my ability to insert a key in a lock.CARLYep, a classic case of “whiskey key” by the looks of it.NEALCan I kill him now?
Through the glass doors, they can see WILL, 21, enter the lobby, attracted by the commotion.BRIANNeal’s right. The key won’t work.GEORGEWe’re locked out of our own office?
Will unlocks the door and is pushed backward as the mob enters the lobby forcefully.NEALHey! Who the fuck are you and why have the locks been changed?CARLLet us in now!
They push Will aside and head toward the newsroom. Will follows them.WILLI don’t know the answer to the second question, but I’m Will Lundin. I’m from the IT department.NEALWhat are you doing here after midnight on a Friday night?WILLI might ask you guys the same question.GEORGEWe understand there is cake somewhere in this building.WILLCake?
INT. NEWSROOM – CONTINUOUS
They all enter the newsroom. Neal walks into his office and looks at his computer.
Both George and Janice check their respective computers.CARLWhy was the lock on the front door changed?
(to Will)WILLI don’t know. I was just ordered to come out here and back up the server. I’m just the IT guy.NEALGuys?
(facing his computer screen)GEORGENeal?NEALCheck your e-mail.
Carl and Brian enter Neal’s office. With everyone else distracted, Will takes a cellphone out of his pocket and exits briskly.CARLLet me guess: some sort of bad news missive from el jefe.NEALBig time.
They all walk back into the center of the production area. Helen returns with a large cake and places it on Janice’s table. She sees all the downcast looks,GEORGEYep, I got it.JANICEI did, too.BRIAN“It was announced today that Juno Mass Media was acquired by Sherman Business Information, a New York City-based media conglomerate with holdings...blah blah blah.”
(reading computer screen)JANICEWe’ve been sold again?!NEAL“Chief Executive Officer Frederick Schultz announces that with the sale he is resigning from Juno Mass Media, and will receive a severance package of—-(whistles)CARLWell, good for him. It’s nice to see the weasels win for a change.
(sarcastically)GEORGEHoly crap!JANICEYou just scrolled down, right.GEORGEYeah.NEALHuh?GEORGEScroll down toward the bottom.(reads computer screen)“Juno’s high-profile acquisition of the successful San Francisco high-tech publication Cool Gadgets, while not the resounding success that Juno’s board of directors had hoped it would be, is expected to be redeemed with the upcoming merger of that publication with the flagship magazine in the Consumer Electronic Group, Modern Electronics.”NEALI have such a bad feeling about this.
(whistles again)
Ivan enters, followed by Will.HELENUh oh. Why do I expect that cake just won’t cut it?CARLWe are so screwed.
Ivan exits.IVANWell, you have no one to blame but yourselves.CARLWhat?!IVANI don’t know what you’re all doing here at this hour, but you’re trespassing.CARLTrespassing!?IVANI had planned to call a meeting on Monday, but since you’re all here I can tell you that I really wanted to keep all of you on staff following the merger, but every single thing Flo and I suggest gets such resistance from all of you that it’s just not worth the effort.NEALSo who is going to write for you?IVANIt’s really none of your damn business, but anything to keep you from acting smug. We’ve made overtures to a number of technology writers in the industry who were actually quite excited by the idea of writing for Cool Gadgets.CARLDo they know it’s the old “bait and switch”?IVANYour employment is hereby terminated, effective immediately. Since you’re here now, you can take this opportunity to clean out all your desks. Goodbye—it’s been a pleasure working with you all.CARLHas it really?IVANFuck no.
Everyone stands around looking stunned.
JANICEWow.GEORGEYeah.NEALDid we screw the pooch or what?BRIAN“Screw the pooch”?NEALIt’s an expression.BRIANA freakish one.WILLLook, I want to get out of here tonight. I’m jetlagged like you wouldn’t believe.CARLFrom a flight from Chicago?
DISSOLVE TO:
INT. RECEPTION AREA - NIGHT
Fifteen minutes later, Brian, Neal, Carl, and Janice stand in front of the elevator doors. Boxes of their possessions are on the floor. GEORGE enters carrying a large box.
There is a moment of silence. Carl looks at the elevator. She frowns, then hits the Down button.GEORGEWell, at least I could always get a job as a pack mule.BRIANI’m not worried about any of you getting jobs.CARLI just want to take this opportunity to say that, despite everything, I will really miss working with you all.JANICECarl, that’s so sweet.CARLI mean it. You did good work, and you were all a pleasure to work with.NEALWould that it could have continued.GEORGE“For all sad words of tongue or pen, the saddest are these, ‘It might have been.’” Whittier.JANICEIt didn’t seem that witty. Wittier than what?GEORGENo, no: John Greenleaf Whittier.JANICEI’m teasing you, Mr. Literature Nerd.
The elevator doors open and everyone enters. The doors close.CARLElevators come faster when you press the down button.GEORGEWell, you’re the expert on technology.
INT. NEWSROOM - NIGHT
Helen emerges from her office carrying a box in one hand and the cake in another. She is joined by Jean who carries a folder. Will stands off to the side watching them.
Jean takes the cake from Helen. Helen exits. Jean starts to follow her.HELENThat’s all you have?JEANI tried to keep my life separate from this place. You want me to carry something?HELENWould you please? Thanks.
Jean stops, turns around, and mashes the cake into Will’s face. She exits.WILLYou know, you’re welcome to try to apply for a job in Chicago. We are short of staff.
(trying vainly to be sympathetic)
INT. LOU’S PLACE – NIGHT
A short time later that same evening. Brian, Carl, Neal, George, Janice, Jean, and Helen are gathered around a large table. Their boxes of possessions are on the floor around them. They are drinking champagne.
He looks at Carl expectantly.CARLA waste of cake, perhaps, but I agree with the sentiment!GEORGETo letting them wear cake!
(holding his glass aloft)BRIANEat, drink, and be merry…
They all laugh.CARLNo, I’m not gonna say it. We may be out of work, the economy may be headed for a complete meltdown, but I still say that tomorrow looks better than today.BRIANAnd better than yesterday.CARLWell, I wouldn’t go that far.
FADE OUT
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